Thankfully, the late '80s marked not an end but rather a beginning to Alvin's remarkable career as a solo artist. With 1987's Romeo's Escape, Alvin established his own distinct voice as insightful chronicler of the despaired, road-weary and broken-hearted. Musically, Alvin furthered the rockabilly revivalism of his Blasters-era work with an informed blend of disparate styles. It's a brand of music that Alvin himself describes as "American Folk Music" -- a fitting term, considering the way he blends genres ranging from traditional folk ballads, blues and rock 'n' roll to country and western. Alvin has continued with more than a decade of releases, fine-tuning his unique formula with each successive effort.
With his workmanlike eye for the details of everyday life and his rich, booming voice, Alvin infuses his musical portraits with a subtle empathy that belies the intensity of his lyrics. A fourth-generation Californian, Alvin weaves together character-driven narratives to produce collections of songs that often feel like a history of the Golden State's forgotten underclass.
A dedicated student of his home state's native Bakersfield country style, Alvin also organized and produced 1994's Tulare Dust, a remarkable tribute album celebrating the work of Merle Haggard and featuring fellow maverick singer-songwriter types like Dwight Yoakam, Joe Ely, and Rosie Flores.
Last year Alvin released his sixth solo album, Blackjack David, on Oakland, California-based Hightone Records. He's also been busy away from the stage, producing the forthcoming Warner Bros. release of Austin retro-twangers The Derailers, and logging time behind the board for accordionist Chris Gaffney and songstress Katie Moffat. And in an inspired musical match, Alvin will join English folk-guitarist Richard Thompson for a series of dates in September.